[V553.Ebook] Download Ebook The Lexicon of Comicana, by Mort Walker

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Written as a satire on the comic devices cartoonists use, the book quickly became a textbook for art students. Walker researched cartoons around the world to collect this international set of cartoon symbols. The names he invented for them now appear in dictionaries.

• Sales Rank: #706288 in Books
• Color: Blue
• Brand: Brand: iUniverse
• Published on: 2000-03-21
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .27" w x 8.50" l, .59 pounds
• Binding: Paperback
• 108 pages

Features

• Used Book in Good Condition

About the Author
Mort Walker is the creator of the comic strips "Beetle Bailey" and "Hi and Lois," with several hundred books in print including anthologies, childrens books, instruction and non-fiction. He has won many world-wide awards and founded the International Museum of Cartoon Art and serves as chairman.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Not just for the comic artist.
By R. Albritton
Very funny, yet much deeper than one might think. While obviously useful to anyone involved in drawing comics and animation, I think the appeal will be broader--particularly those interested in most forms of graphical communication, but also, psychology, and linguistics. (It is a lexicon, after all.) Mort Walker captures and documents universal language in this book.

0 of 0 people found the following review helpful.
Fantastic
By Carl Lacy
A book that doesn't take itself too seriously. It is easy to read the whole thing with great detail in 30 minutes, but there is definitely value in it for the cartoonist, especially if he is interested in the American roots of the art form.

0 of 0 people found the following review helpful.
Sometimes just too cute
By bill olbrich
Not knowing what to call various visual clues in cartoons and comics forces analyists to spend much space to their description. This book could have been a godsend. However, the field of cartoons/comics analysis still needs a serious work providing accepted names for the drawing elements.

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[U301.Ebook] Download Ebook Readings in Public Choice EconomicsFrom University of Michigan Press

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The first classroom book for undergraduate courses in public choice analysis, covering both political economy and social choice issues

Public choice analysis applies the methodology of economics to issues in political science and the policy process. The readings in this anthology cover topics in both institutional political economy and social choice theory and are comprehensible to nonspecialists and advanced undergraduates with a background in basic economic theory. Readings are taken from academic journals and book chapters and are reproduced in their entirety. They are selected to ensure they contain a minimal amount of notation and are free of advanced econometrics.

The anthology contains two to three readings each to explore the areas of rent seeking, collective action, bureaucracy, elections and the economy, choosing decision rules, majority rule, alternative voting procedures, and the calculus of voting. Each part contains a brief introduction to the general theme, and questions are presented as a guide to each reading. Additional suggested readings are provided to develop these concepts further.

Jac C. Heckelman is Associate Professor of Economics, Wake Forest University.

• Sales Rank: #506367 in Books
• Published on: 2004-11-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.25 pounds
• Binding: Paperback
• 432 pages

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[Z792.Ebook] Download Ebook Exchange, Action, and Social Structure: Elements of Economic Sociology (Controversies in Science), by Milan Zafirovski

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This unique volume provides a new interpretation and synthesis of network exchange theory in an effort to contribute to a neo-Weberian economic sociology. Arguing against commonly held assumptions about network exchange theory and its interpretation of all social actions as economic exchanges, Zafirovski seeks to explain these processes by employing an interdisciplinary approach and by examining the impact of social and institutional structures on market-economic exchange. The author argues that economic structure, processes, and actions are the outcomes of social action and institutions, not the other way around.

This rehabilitation of economic sociology begins with a reconsideration of the character, scope, and development of the field. The author then grounds his sociological approach to economic exchange in social action and structure before examining the role of social motivations in economic exchange. He then examines the political structuration, the cultural constitution, and the social construction of economic exchange and exchange cycles. The book concludes with a discussion of the character and variation of economic exchange in comparative social systems and the relationships of exchange, economic development, and social variables. This unique and persuasive book is an important contribution to the study of economic sociology and sociological theory.

• Sales Rank: #4079783 in eBooks
• Published on: 2001-07-30
• Released on: 2001-07-30
• Format: Kindle eBook

Review
“Graduate students and faculty.”–Choice

“Zafirovski provides a detailed analysis of different economic approaches from a sociological point of view....[T]his is an important book which offers a useful alternative to the dominant economic paradigm.”–Journal of Sociology and Social Welfare

About the Author
MILAN ZAFIROVSKI is currently Assistant Professor in the Department of Sociology at the University of North Texas.

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[X105.Ebook] Ebook Download Beating the Anti-Sicilians: Grandmaster Repertoire 6A, by Vassilios Kotronias

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The Sicilian Defence is the most combative way to meet 1.e4, but Black's hopes of reaching his favourite Dragon, Najdorf or Sveshnikov are often quashed at an early stage. In Grandmaster Repertoire 6A – Beating the Anti-Sicilians, grandmaster Vassilios Kotronias provides full coverage against White's many attempts to steer the game away from Open Sicilian territory. Beginning with sidelines on move 2, and extending all the way to variations tested at World Championship level, the author provides expert recommendations against all White's sensible deviations (as well as some not-so-sensible ones!) with specific advice tailored for 2...d6, 2...e6 and 2...Nc6 players.

Be it tackling Wing and Morra Gambits head first, outmanoeuvring 2.c3 and Closed aficionados, bashing 3.Bb5† or ruining the Rossolimo, this book contains everything you need to make your opponents wish they had played 2.Nf3 and 3.d4!

• Sales Rank: #297286 in Books
• Brand: The House of Staunton, Inc.
• Published on: 2016-02-07
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x .77" w x 6.77" l, .0 pounds
• Binding: Paperback
• 504 pages

Features

• Author: Vassilios Kotronias
• Pages: 497
• Publication Years: 2015

About the Author
Vassilios Kotronias is an experienced grandmaster and ten-time Greek Champion. A Sicilian expert, he is feared for his profound opening preparation.

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10 of 11 people found the following review helpful.
A quality anti-sicilian repertoire
By Roger Perry
Every Quality Chess book is a quality book, and Kotronias's "Beating the Anti-Sicilians" is no exception: well thought out, deeply analysed, with considerable positional commentary. The repertoire is essentially an update and detailed extension of Rogozenko's "Anti-Sicilians, a guide for Black" from 2003. [NOTE TO EDITORS: Rogozenko's work is not listed in the bibliography. When you do a reprint can you please correct this omission.] I will summarise Rogozenko's repertoire below - which I have mainly followed over the last 15 years - and then identify the changes Kotronias has made. Forgive me if I approach this from the perspective of a ...d6 player, but ...Nc6/...e6 players are amply served as well.

Rogozenko's repertoire:
GPA: 3...g6 and later ...e6. Kotronias covers 5 Bc4 e6 6 f5!? and 5 Bb5 Nd4. Curiously he overlooks 5 Bc4 e6 6 0-0 which I have found more common in my games.
Closed: meet 6 f4 e6 and 6 Be3 e5. I can verify that playing two different systems actually works
2 c3 Sicilian: 2...Nf6 with ...e6 systems. These systems are very sound as long as Black doesn't expose himself to a king side attack.
2 b3 is met with ...e5; the treatment of 2 g3 and 2 d3 is a bit more precise than Rogozenko; and as well as the Wing gambit, the deferred Wing Gambit is covered, which Rogozenko overlooked.

Differences
- The big difference is 3 Bb5, which is met with the "Universal" ...d6/...Nc6 (or ...Nc6/...d6). Kotronias admits that the Moscow with 3...Bd7 is completely sound for Black but thinks there are more winning chances in the "Universal" system. I suspect he is right - most of Blacks tries in 3...Bd7 seem to be to obtain equality.
- He covers the Tiviakov Rossolimo, which didn't exist when Rogozenko wrote. Here he favours systems with Palliser's ...a6, rather than the more popular ...e6. I have played ...a6 myself and think it leads to sound positions, and avoides a trap in the ...e6 systems.
- Against 2 f4 he recommends 2...g6 to transpose to a normal GPA. I have gone through his analysis of 3 d4 with the engines running and they don't seem quite has optimistic as he is. There may be a problem with the repertoire here.
- Against the Morra Gambit he recommends systems with ...g6.(I normally "pass" with ...Nf6)
- Against the 4 Qxd4 he covers ...Nc6 under the universal system (Rogozenko gave 4...a6)

I have used Rogozenko's book as my guide for 15 years, with only minor extensions. I am a fan of the repertoire; its served me well.
I do have one criticism of Kotronias's book, the analysis doesn't always appear 100% accurate/comprehensive. I have given a couple of examples above, and there are others. Nonetheless, I have no doubt that Kotronias's update and extension of Rogozenko's repertoire will provide me with ample material to work with for another 15 years. Consequently I have no difficulty giving it a 5 star rating.

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With this comprehensive workbench guide, acclaimed artist Brenda Griffith takes kiln-formed glass to the next level. From cast glassing and cold working to adapting unusual tools and materials, she covers a range of advanced techniques that glass crafters need to know. In addition to beautiful projects and stunning gallery images, information on best studio practices and a “beyond the kiln” section make this indispensible.

• Sales Rank: #60730 in Books
• Brand: Sterling Publishing Co
• Published on: 2014-07-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .63" w x 8.50" l, 1.79 pounds
• Binding: Paperback
• 224 pages

Features

• Learn how to make fused glass boxes, "sand art", glass clay slabs and more
• Includes information on the studio, tools and materials
• An indispensable reference for moving beyond a basic foundation in kiln-forming with glass
• Soft cover, 224 pages

About the Author
Brenda Griffith began kiln-forming glass in the mid-1980s. In 1987 she launched her own art glass company, Siyeh Studio. She is a two-time NICHE Award finalist in the Fused Glass category. Her work appears in more than 40 galleries in 20 states and Canada. She is a member of the Atlanta Glass Artist's Guild, The International Guild of Glass Artists, and The American Craft Council. Brenda lives in Atlanta, GA.

Most helpful customer reviews

47 of 47 people found the following review helpful.
Great resource for getting serious with glass art
By C. Morgan
I've been avidly collecting and reading "fusing" (kilnformed glass) books for about 20 years, and this may be the best single book on studio practice I've seen yet. As it says, it's not a beginner's book (Griffith's earlier book, Beginner's Guide to Kilnformed Glass, does that),. Rather, it's the book you'll want once you have a few successful kilnformed pieces under your belt and have begun to wonder if there's more to kilnforming than sushi dishes and bowls.

It's divided into three sections (and Lark should really add some "look inside" samples to Amazon so you can see what I'm talking about). The first covers setting up and using a glass studio. The second deals with more advanced ways to decorate glass for firing (casting, 3D printing, airbrushing, sandblasting, box making, etc.). Spoiler alert: If you're into making jewelry, she's got some advanced tips for creating dichroic slabs and precious metal clay findings that you'll love.

The third section, though, is where this book really shines. Griffith has experimented with applying other media techniques to glass practice, and they're pretty exciting. She shows you how to make your own glass pastels and glass clay (which can be fired in the kiln the way you can fire ceramics), create marbling effects with glass enamels, make your own roll-ups, and more.

The information is presented in an exploratory, "I wanted to see what would happen if I..." fashion, which gets my own creative juices going. Griffith takes pains to explain exactly how she got to a certain point, which makes it very easy to use her explorations as a starting point for my own. She includes firing schedules for both glass and PMC, with a quite-proper "your mileage may vary" warning.

About the only real criticism I'd have is minor: On a couple of projects Griffith takes you through the very well-illustrated steps but doesn't show the finished piece. There's so much else going on here, though, that I don't really miss it.

14 of 14 people found the following review helpful.
Excellent book for those of us that are ready to ...
By Silvia Benincaso
Excellent book for those of us that are ready to learn skills that go "beyond the basics." The sections on setting up a studio, equipment, and tools is extremely valuable as they are quite the investment. The explanations of the science and engineering aspects are clear. I have used Brenda's first book constantly since I first started working with kiln-formed glass five years ago and this is a fabulous "next step." Highly recommended.

9 of 9 people found the following review helpful.
Exactly what the title says and more.
By Mary Orrell
This is definitely not for someone who just bought their first kiln. It is so nice to find an interesting book that doesn't cater to those who have hardly handled a glass cutter. I have been working in glass quite a while and love to find books that don't give me projects but push me toward techniques I haven't thought about before and give practical advice on things I have tried that maybe did not go as I had planned.The Gallery pages are gorgeous and inspiring. I do wish there was more of a buyer's guide for tools and materials mentioned that are outside of the glass realm. A great book for true glass geeks, you know who you are.

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